The beauty of color isn’t
ALWAYS caught in the camera

Mad Max: Fury Road doesn’t looks like Midsommar, and with good reason. The tales required different hues, because different feelings needed to be elicited from audiences. The color palettes of films are keepers of tone; they telegraph emotion to the viewer.

Our expertise goes beyond the mechanics of grading the film. We will partner with you and use color theory to choose the right vibrance, feel, and even the grain for you project (talk about getting into granular detail). But we wouldn’t have it any other way.